Narrator: Here Magritte depicts himself in the act of painting. He looks at an egg but conjures a bird on the canvas. Curator, Anne Umland: Magritte, from 1932 on, had set out to apply a new method of ...

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If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

Odessa Roberts Matsubara joined MoMA in 2017 as the Director of Human Resources and was promoted to Chief Human Resources Officer in 2018. In this role, she leads a team that supports the Museum in ...

“YOU GOTTA BE ABLE TO THINK LIKE JOHN COLTRANE TO DO WHAT I AM DOING IN PAINTING: THE LIGHT EXIST IN SHEETS, JUST LIKE COLTRANE TOLD ME.” —Jack Whitten, 2006, as quoted in Notes from the Woodshed, p.

In MoMA and UNIQLO’s Art for All video series, we explore an artist’s unique approach to capturing the world around them. In this episode, filmmaker John Wilson invites us into his world, where his ...

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Director, Glenn Lowry: Oldenburg created the large-scale soft sculptures Floor Burger, Floor Cone, and Floor Cake, for the 1962 installation of The Store at the Green Gallery in midtown Manhattan.

Der Blaue Reiter was formed in 1911 in Munich as a loose association of painters led by Vasily Kandinsky and Franz Marc. They shared an interest in abstracted forms and prismatic colors, which, they ...

GLENN LOWRY: One of the overarching themes in Abramović’s work is the concept of energy. Energy that can expand and be shared between collaborators as well as between the artist and audience. In this ...