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How Sinéad O’Connor and Willie Nelson Ended Up Duetting on the Peter Gabriel Classic “Don’t Give Up”
Gabriel's lyrics became more layered in imagery from the Depression and Dust Bowl eras and the impact of unemployment on families.
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Digital Camera World on MSNRay-Ban Meta Wayfarer smart glasses review: full of AI promise but sub-par camera performanceThe Meta AI technology offered on this pair of smart glasses is intriguing, but the glasses themselves lack the ability to ...
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The Daily Yonder on MSNRock Opera 'O'Dessa' Aims to Bring Fresh Energy to a Familiar FrameworkFrom Odysseus and Orpheus to Dorothy and the Wizard of Oz, "O'Dessa" takes its cues from a deep canon. But bright colors and ...
A short clip of the original film shows up on Twitter/X without attribution and mistakenly calls it “weekend trip to san luis obispo 1938” but the number of locations, expense of color film and flying ...
The film omits the dire scenes of poverty that photographer Dorothea Lange recorded in a Nipomo Mesa pea pickers camp only two years earlier. Lange’s stark black-and-white portrait of Florence ...
Ninety years ago, the worst dust storm in American history blasted the Great Plains. The Dust Bowl had arrived.
If you buy something, we may earn an affiliate commission. In photographs, Princess Dorothea smiles happily at the camera, surrounded by a cluster of adorable bridesmaids and pageboys, who were the ...
Corkin also owns Gertrude Käsebier’s Miss N., a 1901-02 portrait of the New York beauty, Evelyn Nesbit; Dorothea Lange’s Mended Stockings, San Franscisco, a 1934 closeup of a women’s ...
American photojournalist Dorothea Lange took photos in the hopes of effecting social change, and her most famous images emerged from her work with government agencies during the Great Depression.
The year is 1932, and photography is having an identity crisis. While it’s now easily considered a fine art, back then it was still fighting for its rightful place. Enter Group f.64, a cabal of ...
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